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"40P33`* Q 9`66)LA0P33L3 eg8?b;..$30P33) eg8@b;..$30P33) SBb; ..$30P33) VMb;(#(#'0P eg8Vb;''p$,0P33P# W_Wc''$-0P33# VXb;(#(#'0P  Yb;(#(#'0P eg8ec.."60P33+ NVi/z@@$2P #K s/zppx`0P33  z"t/zppx`0P33  zw/zXX2P qx/zXX2P 5y/zppx`0P33  `z/zXX2P ;{b;(#(#'0P a !; ?i$0 9tw5x#] x{0=VNWa)oeow2>30` 4?E %n? ƓM0 k@ysw/] zw1aBa%o onw= 1XMh_`zNVv3Q" XMh_`zNVv3Q"SVQ #K *X  $W_0J8q@zPeMH\<dpz"|/%O35eg8; LL : !MainDict 0  {filename} P{pagenumber} {datetime}-iKZ  L A4 4tt L    nn7. nn7. p2`yy! ^\ccMR r" X]7 `@ PP Z-3 H$H  ! l"  L A4JL Lt3lL F  nn7. nn7. p2`yy! ^\ccMR r" X]74l2N @x@Colour < Z Hsw"tramTMM7!7!oBJ,117!  $$ Hnn7Lin2nn7. y !  CceZM#  X]76l N NR DfDZDZDZDColour management has the reputation of being a black art, and the exclusive province of professionals. Over the last decade, systems have become available which have attempted to simplify the problem of obtaining consistent colour rendition across a range of devices. These have opened up the process to the amateur eld. The problem of obtaining consistency comes about because no two optical devices see colour, or light and dark, the same way. Colour management is concerned with providing this consistency through the use of colour mapping to standardise the way colours are visualised. #In practice this is achieved by# #associating# a piece of colour mapping code, hereafter called a Profile, to a device. What this profile does is describe the colours in an image from, say, a scanner and allow the colour management system to correctly map them into a ###device-independent format# #(hereafter called the Profile Connection Space or PCS) - this is an Input Profile - or, as an Output Profile, it will allow proper translation of colours from the PCS to a device such as a monitor or a printer.%  The task of this document is not to go much further into the details of the process, rather to simplify the correct setting up of a colour-managed workflow in general but with specific reference to David Pillings DPScan for Windows software. Ideally one should start by having a profile for #e#ach device in the colour management chain. If the image has come from elsewhere, it may already have such a profile embedded within it. Often, however, an image will not have been given a profile by its originating device. /This is not critical as DPScan can 4/allocate /a prole)/ to 5an image /prior to editing (Figure 2). It is most important to have profiles for each of the output devices, particularly the monitor and printer. In DPScan the conguration of the colour management system is achieved from the Colour Management window (Figure 1) which can be opened from DPScan's Misc..menu by choosing  Colour Management. The consistent approach to colour calibrating. Monitor Calibration and the Monitor Prole The rst step in colour calibrating a system is to ensure the monitor shows colour in as standard a way as possible.  There are several utilities available to allow monitor calibration. These all involve setting the levels of Red, Blue and Green relative to one another so one can be condent that what should be grey on-screen actually appears as grey to the eye. An incorrectly / calibrated screen will not show colours truly so it would be impossible to either check the accuracy of editing or print proong visually. A monitor is an RGB device so should have one of the RGB proles associated with it. By default, Windows contains a prole with the#### name# 'sRGB IEC61996-2.1' and it is that which is set in the window in Figure 1. Many monitor manufacturers will have taken the trouble to make a prole specically for a particular monitor. Prole and monitor will normally be associated with each other at the same time the monitor's device drivers are installed. This can be checked in Windows from the Control Panel ->Display ->Settings ->Advanced->Colour Management menu. Should there be an entry here then the same prole should be chosen in DPScan's #colour management window in the  Monitor Prole box (1). If no prole is associated with your monitor in the Windows Control Panel then add the sRGB prole named above in this area as well as in the monitor prole section of the DPScan colour management window. This prole can be found under the lename #'#sRGB Colour Space Prole.icm'.#  There are those authorities who would advise the use of the sRGB monitor prole in virtually all situations, so leaving the monitor prole set thus is unlikely to cause problems.  Printing with Proles Many applications, including DPScan, allow the user to choose where the conversion# #from#### image to printer data is done prior to printing. The choice is between by the application itself or by the printer driver. This is an area which causes much confusion as it is often not immediately obvious that one must do this in either one area or the other but not both. Thus, if the conversion is done by DPScan, it must not be done by the printer driver and vice-versa. How to achieve this with the settings which must be set is not always obvious either as the terminology changes. A printer's output proles are matched not only to the ink but also to the paper being used. In the strictest sense one needs a separate output prole for every combination of ink, paper and printer. This is not always the situation at the cheaper end of the market (see the caveat, below) and this may have a bearing on the choice of where the print management is done.  How does one choose where to manage the printing?... ...in the Printer Driver The simplest way is to manage in the printer driver. The way this is achieved in DPScan is to set  Colour Management (2) to 'on' and  Printer Colour Management (7) to 'off'. By doing this one ensures that DPScan sends an unconverted image to the printer driver but also sends the necessary prole information to the printer driver with the image when it is sent. To make this work fully it is then necessary to turn colour management in the printer driver to 'on'. Quite how to do this varies with make and type of printer and is beyond the scope of this document. Read the printer documentation to nd out how. ...in DPScan The alternative option is to let DPScan do the pre-printing colour management and to send a managed stream of data to the printer. To set DPScan's conguration to do this one must enter the appropriate printer prole for the ink/paper combination into box (6) and set the tick box (7) to 'on'. It is imperative that management is turned off in the printer driver to avoid this already managed data being 'managed' again. Once again, read the printer manual to nd out how to do this. 2Caveat There is a potential problem when managing the printing this second way. This involves how certain printer manufacturers arrange their printing proles. Many of the Epson printer proles, for instance, are held in a single le with a prex something like 'E_'. This le is not quite like a standard printer prole inasmuch as it contains the mapping information for all the manufacturer's papers in the one place with the setting within the printer driver dictating which paper prole is used. Consequently it is unlikely that using such a prole in DPScan is going to produce output matched to the paper being used. In this case one may be obliged to print using management in the printer driver although a trial-and-error approach may prove otherwise.  Printer Proong The ' Proong for Printer' tick box (4) attempts to show on-screen how the nal image will appear in print. This is of greatest use with CMYK images but its use with RGB should go some way towards showing how an image will print. Ideally, with RGB, print proong will show little or no difference between proofed and un-proofed views. If much change is seen, it is an indication that colour management is not working as it should.  Scanning and Proles Many newer desktop scanners are supplied with matching input proles. Normally proles are registered with the scanning software on installation but it is common that colour management in the scanner's software will be turned off by default. Older scanners may not support colour management. This is not a great problem but an unmanaged image should have a prole assigned to it on loading. Look at your scanner's documentation to nd out more about this. Digital Cameras and Proles The majority of modern consumer digital cameras output images in the sRGB colour space by default and often this is the only option. // Rarely, though, does an image from a digital camera actually contain a proper prole# as the information #about the image's colour space# is contained within the its EXIF data. It is advisable to check the image's status in the Colour Prole dialogue, #assigning the appropriate prole if necessary% (Figure 2)%. At the higher end of the consumer digital camera market exist cameras, often SLRs, which give the user the option to output images in the AdobeRGB colour space. The current situation is that an image output in the AdobeRGB space is recognised by the addition of a leading underscore character in the lename - thus, where an image named 'Image 001.jpg' would be in the sRGB space, a similar image named '_Image2.jpg' would be in the AdobeRGB space. For any software to be able to detect this it is important that the lename remain unaltered prior to rst loading into an editing package and that the correct prole be subsequently both assigned and embedded.  Choosing which Proles to use - Colour Models and Spaces  RGB Normal desktop printing using an inkjet printer is done using the RGB colour model. Although all inkjets are essentially modied CMYK devices the drivers and proles will always handle this conversion which thus remains transparent to the user. Monitors and desktop scanners are also RGB devices. For normal use desktop use, it is therefore right to have images in RGB rather than CMYK. There are several colour spaces within the RGB colour model, the most common being sRGB and AdobeRGB. The difference between these two is not very great but, in simple terms, the saturation of the colours in the sRGB space is greater than that of AdobeRGB. In contrast, the range of colours available to AdobeRGB is greater than than that in the sRGB space.  3Changing the Working Colour Space To alter the settings to use the AdobeRGB colour space requires the AdobeRGB prole name be put in the DPScan colour management window as the input colour prole (8). To complete the transition to AdobeRGB requires that any images have that prole assigned to them using the Colour Prole dialogue. All these adjustments are explained above.  CMYK Conversions within DPScan to and from CMYK are carried out using the Colour Proles dialogue box. If a CMYK prole such as Euroscale Coated (available from Adobe in a free download) is selected then the ' Convert image to new profile and CMYK' button becomes available. Clicking on this will not only convert the image to CMYK but will associate the named prole to it. To convert from CMYK to RGB is done by selecting an RGB prole and clicking the ' Convert image to new profile and RGB' button. WNote VEditing of an image in CMYK format is not possible in DPScan. Consequently conversion from RGB should be done as a nal stage in the preparation of the image.V V 3Convert to Prole vs. Assign Prole to Image# ##The ' Convert to Prole#' button changes the data representing colours in an image to t them into the range of colours dened by the new prole. ' Assign# 3 Prole to Image#'3 #associates the image with the new colour space without changing the data representing colours. # It is possible for an image converted from one prole to another have some colours which fall outside the range of colours available in the destination colour space. An image whose prole has been changed without an alteration of the colour data may appear on screen with distorted colours as, although the data has not changed, the way of displaying it has. #  Assign's most common use is /to tag an unmanaged le which is imported from scanner or other non-colour managing source. It can also be used to change a prole because the current prole is wrong as evidenced by it displaying incorrectly on-screen.  Convert is used to actually change an image and the range of colours available to it when this is desirable. An example of where conversion would be used is when an image produced in the AdobeRGB colour space is wanted for use on the web, which uses the sRGB space. Conversion will change the colour space whilst maintaining the image's correct appearance as far as is possible. 3Embedding Proles #A colour-managed image le# #may be saved either with a prole or without. The advantage of saving an image with a prole is portability both between systems and individual programmes. Unless storage space is limited, it is advisable to embed a prole before saving the image. This can be achieved using the ' Embed current Prole#' button in the Colour Prole menu (gure 2).  File Formats and Colour Management Only certain types of image le format are capable of containing information about colour rendition. The following formats are able to do this.  TIFF: #Within DPScan this a format which will be either compressed losslessly or uncompressed and can be RGB or CMYK. Tiff files have the capability to contain a wealth of metadata. It is not the most economical format available when size is important.B %  JPEG: Like Tiff, Jpegs can be RGB or CMYK. Jpegs use a lossy compression method which will degrade an image to some degree. The level of compression is much greater than achievable in a Tiff so, when space is limited, Jpeg is a reasonable storage format.   PSD: (unavailable in DPScan) The native Photoshop format , PSD is similar to Tiff A versatile format but its use is not universal. Its presence here is for completeness.  BMP: The vast majority of BMP les will not be capable of carrying colour space data. The version 5 BMP is capable of doing this and DPScan can handle BMPs of this type. Very little else can so its usefulness is not great.  PNG: This format is capable of carrying colour space data. Although it is not in popular use in a colour managed environment it would confer certain advantages over the previously mentioned formats inasmuch as its levels of compression are greater than Tiff yet still lossless. It dos not support CMYK, however, having been initially developed for Internet use.  9In Conclusion 3Some Rules of Thumb: 2Setting Up Read the manuals for scanner and printer to see how they deal with colour management before setting DPScans colour management up. Then set all the elements up together to maintain consistency throughout. #Setting up the monitor correctly is crucial. Utilities to help with this process are often provided by the graphics card vendor, check Display Properties->Settings->Advanced->Colours...# within Windows, or from 3?rd@ party suppliers@. Search@ #the Internet for 'Monitor calibration' for much more information.  Match profiles where their appearance is duplicated eg. make all references to the monitor profile read the same. Do the same for scanners where possible. Use sRGB for the  Import RGB Prole and see how you go before changing to a different colour space. Use the same for the  Scanner Prole and  Monitor Prole unless you have dedicated proles for those devices. If in real doubt then you can expect to get reasonable results setting everything to sRGB with the one exception of the  Printer prole box. Even this setting is not crucial if you use the printer driver to colour manage the print process and have print management in DPScan turned off. 2Loading and saving Always  embed the profile into the image prior to saving it. Hesitate before changing an already tagged images profile. If in doubt, leave it alone. 2Printing Dont duplicate colour management when printing, do it in the application or in the printer driver - not both. / Start by using the printer drivers colour management system to print, not DPScans. 5 On-screen proong was originally conceived to be used with CMYK images rather than RGB but it can be used as a rough guide in RGB and can save wasting ink and paper. Bear in mind that the printed image will often look better than the proong might lead one to believe. /If print proong in RGB shows much variation between proofed and unproofed versions of an image, check all the settings especially those involved with printing. If all the settings prove to be right and subsequent prints prove satisfactory then all is well. However, if the settings are correct and the prints are still unsatisfactory, this is an indication that some component in the printing chain (printer prole, printer driver and printer itself) may not be as good as it could be. Do use the newest available version of the printer driver for your printer. If print quality is subsequently still not as good as wished for, then it may be necessary to consider replacing the printer with one of the newer models. 2Devices #Monitors and desktop scanners are RGB devices and should be associated with RGB spaces. 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To activate the system tick the colour management box (3) and this will manage the image on-screen immediately. To send a colour-managed image to the printer is a bit more involved and will be discussed a bit later. Changing between the two available colour management systems available at tickbox (11). should make no differenece to the output. Its inclusion is for test and demonstration purposes. Try if you like! b,,,k `? )  `1'  `T'#-8 `w';  `'4 `9' `a' $ `'| `'' `J' `n'4 `)'B $ t3l}4lL  4l 6l3l@nn7. nn7. p2`yy! ^\ccMR r" X]7}x$6l 4lnn7. nn7. yy! ccMR  X]7})P PuTt}3l}L  } }}@nn7. nn7. p2`yy! ^\ccMR r" X]74l $x$} G}}nn7. nn7. yy!  ccMR t" X]76l$'X( X} G}TH=h Dnnn'b h  3iSE  8 G} }}U2`A   )*4/z5S t  AX]7}H}I}w+ H}www Figure 2: The colour prole dialogue. XIn this instance the image has the AdobeRGB prole.Y  To convert it to sRGB one selects the sRGB prole in the 'New Prole' icon and clicks 'Convert to new prole'. This will not only assign the new prole to the image but also convert the colours to t inside the new colour space. Conversely, the M'Assign new prole to image' button will assign the new prole to the image but not carry out the conversion. The 'Embed current prole' button will place the chosen prole in the image which will be saved with the prole. The advantage of this is that the image will contain the information required for correct rendering whatever the settings of the image application. 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